In 1983, having spent four years earning a PhD in English, I instantly turned down the reasonably secure entry-level faculty position my alma mater offered me and chose instead to sign up for that most financially insecure of all professions: freelance literary journalist. Why? Partly because it had taken me that long to face the fact that I just wasn’t the academic type. And partly because I saw that the kind of jargon-heavy approaches that were taking over America’s English departments — from politics-driven “feminist criticism” to pretentious postmodern “deconstruction,” straight out of France by way of Yale University — had nothing whatsoever to do with my own reasons for wanting to spend my life reading and writing about books.
Read More