I have often noted here the difficulty our progressive and enlightened age poses for the art of satire. Satire depends on some palpable distance between common reality and the thing satirized. “Ha!,” we say, we feel viscerally, when confronted by effective satire, “that exaggeration, that caricature, that satire dramatizes a dangerous tendency in our culture. Of course, no one really tries to extract cucumbers from sunbeams, as Swift suggests in his great satire Gulliver’s Travels, but the idea that they might shows you how absurd so much academic culture is.”
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