William Blinn, a screenwriter for the landmark TV projects “Brian’s Song” and “Roots” and the Prince film “Purple Rain,” has died. He was 83.
Blinn died Thursday of natural causes at an assisted living community in Burbank, California, his daughter, Anneliese Johnson, said Saturday. Read More
The 2020 theatrical release calendar is getting even slimmer in the wake of the announcement that Regal cinemas are temporarily closing, although AMC, North America’s largest theater chain, says it will remain open.
Warner Bros. said late Monday that its sci-fi pic “Dune” will now open in October 2021, instead of this December. The studio also pushed back “The Batman” to March 2022 and moved up its “Matrix” sequel to Dec. 2021. Read More
Following the less-than-stellar theatrical debut of Christopher Nolan’s “Tenet,” Warner Bros. is delaying its next big release, “Wonder Woman 1984,” to Christmas.
The postponement Friday of the “Wonder Woman” sequel, which had been scheduled to hit theaters Oct. 2, comes on the heels of Hollywood’s boldest attempt to lure moviegoers back to theaters during the pandemic. Read More
Olivia de Havilland, the doe-eyed actress beloved to millions as the sainted Melanie Wilkes of “Gone With the Wind,” but also a two-time Oscar winner and an off-screen fighter who challenged and unchained Hollywood’s contract system, died Sunday at her home in Paris. She was 104.
Havilland, the sister of fellow Oscar winner Joan Fontaine, died peacefully of natural causes, said New York-based publicist Lisa Goldberg. Read More
by Jack Coyle NEW YORK, New York (AP) — A long time ago in a pre-COVID universe far, far away, blockbusters opened around the globe simultaneously or nearly so. In 1975, “Jaws” set the blueprint. Concentrate marketing. Open wide. Pack them in. Since then, Hollywood has turned opening weekends into… Read More
Christopher Nolan’s “Tenet,” which had hoped to herald Hollywood’s return to big theatrical releases, has yet again postponed its release due to the ongoing coronavirus pandemic.
Warner Bros. said Monday that “Tenet” will not make its August 12 release date. Unlike previous delays, the studio this time didn’t announce a new target for the release of Nolan’s much-anticipated $200 million thriller. Read More
The closely watched arrival of Christopher Nolan’s big-budget sci-fi espionage film “Tenet” will finally happen on July 31, Warner Bros. announced Friday.
The studio said it would delay the release by two weeks and instead re-issue Nolan’s 2010 sci-fi blockbuster “Inception” in mid-July.
The release date for “Tenet” has been closely watched in all corners of the film industry, which has faced shuttered theaters due to the coronavirus since mid-March. Movie theaters plan to reopen in July for a vastly different summer season than the one the industry had planned. Read More
Something really interesting is happening at Malpaso Productions, Clint Eastwood’s movie production company. Eastwood’s films, especially in recent years, portray the best in the American character through real stories of ordinary Americans called by events to stand up and shine. In his latest, “Richard Jewell,” Eastwood continues exploring a theme I’ve called “American Greatness in the Shadow of 9/11.” The result is a body of work that is awe-inspiring and unlike anything we have seen before in American cinema. Read More
There is near-universal agreement among movie critics that Cynthia Erivo, who plays the title role in Harriet, not only carries the movie, but makes it engaging, suspenseful, and rousing. Erivo is nothing short of spectacular, said Breitbart’s John Nolte, and we agree. Read More
When Netflix’s bland new psychological thriller “Secret Obsession” was released last week, I never expected keen political insights, let alone a unique cinematic twist. (Warning: Some spoilers ahead.) Under closer scrutiny, however, the film solidifies the need for individual rights, and presents a damning picture of California’s unconstitutional gun laws. Read More
by Thaddeus G. McCotter Hollywood, the cultural epicenter of the “resistance” to the faux totalitarianism attributed to President Trump, has a vastly different approach to the real totalitarianism of Communist China: capitulation and self-censorship. As noted by Mark MacKinnon, the senior international correspondent for The Globe and Mail, the sequel to… Read More